Opening Day + video from yesterday’s workshop

I hope everyone has a splendid beginning of the term today and early next week. Thanks to all those who attended yesterday’s Zoom: it was a lively discussion, and I look forward to more over the course of the term. Here’s the video for anyone who is interested:

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And here’s a document with links to resources discussed in the workshop, as well as a couple of questions we used to guide our breakout-room discussions.

Write me if you’d like to get an invitation to the Commons Group that corresponds to the course you’re teaching, for instructors of 252, 280, 285, 304, 306, 307, and 320.

 

 

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Chronicle piece on creating a syllabus

Useful, comprehensive piece from today’s Chronicle of Higher Education (paywalled: so proxy via the Library) on creating a syllabus. Since we’ve got a few days left (cough, cough), I thought I’d share.

There’s a wealth of wisdom there, from the very practical and granular on up, but for me the take-home message is that we too often frame our syllabi in terms of don’ts, whereas the more humane and effective approach is to communicate, clearly and specifically, what kinds of behavior, learning, submitted work, etc. we do want to see from them.

 

 

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welcome to Fall 2023

A hearty welcome to all instructors for the coming Fall term!

 

For those who are new to this site, LitHub@Hunter is a meeting place for faculty in the Hunter English department and a hub (as the name implies) for instructors of a range of multi-section courses. Instructors of those courses–at present, ENGL 252, 280, 285, 304, 306, 307, 320–have private “groups” devoted to their particular courses. Those groups have listserv functionality to allow discussion targeted to those courses, as well as repositories of syllabi and other helpful documents for instructors of those courses.

If you’re not a member of a group whose course you teach, contact me, and I’ll add you.

In my newly rebooted role as Director of Undergraduate Studies, I’ll be posting regularly to this site with ideas, announcements, and information relevant to teaching. I’ll also be hosting small-group events to bring together instructors of particular courses, so stay tuned.

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attendance policy

I’m sure many of you are hearing about this policy change through other channels, but the Hunter College Senate has just approved new language for how faculty can use attendance use as part of a course requirement. As you may know, Hunter (like all CUNY schools) is nominally not “an attendance-taking institution” in regard to Federal Title IV Regulations and financial aid. This has meant, practically, that faculty who have wanted to, well, require students to actually attend class, have had to use other means that an attendance policy to meet this goal, such as counting absences as zeroes for class participation or other forms of in-class work.

After this change, each instructor, in the words of the Senate,

has the right to set attendance as one of the requirements for the course and to use it as part of the grade. Such attendance policies must be clearly stated in the course syllabus.

This is good news for us, in that we have more freedom to align our policies regarding attendance, lateness, etc. with our grading and other assessment practices. As with all grading-related matters, it’s crucial to make your policies clear in the course materials and to apply them consistently.

 

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NYT Pass and Freud in the News

Here comes a twofer, half of which is especially relevant for 306 instructors, and half of which is relevant to all:

First, 306 instructors who are teaching Freud may be interested to share the piece from today’s Times about renewed interest in Freud, both narrowly in terms of models of talk therapy that reach back to psychoanalysis, and more broadly in the culture:

https://www.nytimes.com/2023/03/22/style/freud-psychoanalysis.html

Second, I’m always shocked by how few students read any kind of news that doesn’t come from social media feeds. I like to remind them that a) reading the NYT regularly is basic “equipment for living” for an educated citizenry and that b) we all have free digital access from the Library (works for computers, iOS, and Android devices). Inevitably, a big majority of students in my classes don’t realize this.

 

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TDF Passport and Student Engagement

I observed a fantastic lesson on Hamlet last week in an ENGL 220 classroom and, in a bit of kismet, noticed  that James ljames’s Fat Ham, a very loose adaptation, is opening on Broadway presently. This fact is great for the handful of us who are teaching Hamlet this term, but it also points to two underutilized but gobsmackingly great resources for Hunter faculty:

  • TDF Passport: believe it or not, all CUNY faculty, staff, and students can enroll in this program (details here) for free and get access for up to nine tickets at $20 and $40 (the latter are orchestra or front mezzanine; the former are everywhere else). Fat Ham is a current offering. Offerings change, but currently the list includes Sweeney Todd, Leopoldstadt, and Pictures from Home
  • Presidential Student Engagement Co-curricular Activity Initiative: this fund awards small grants on a rolling basis to faculty to enhance courses. I’ve screened a film at night on campus for students and bought pizza with the funds; I’ve even taken students to a scrappy, off-off Broadway production of Brecht, dinner included. Others have been more creative: check out this post from ACERTs site for their projects. Or just take them to see Fat Ham and be done with it.
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Gramsci teaching materials

Bretheren and Sisteren of ENGL 306, I’m teaching Gramsci this week. And it just so happens that The Dig, a groovy left-wing podcast on literature and culture, featured a two-part discussion with Yale Americanist Michael Denning on Gramsci’s legacy. So check it out and share with students!

 

Gramsci & Hegemony w/ Michael Denning

Featuring Michael Denning on Antonio Gramsci. Part one of an expansive two-part interview.

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OER resources for teaching 306

I just want to offer my open Commons site this term for any 306 instructors, current or future, who want to borrow and/or adapt.

Of most immediate interest are the copious study questions I’ve created over the years, which I urge students to use to guide/test their reading and then draw on deeply for midterms and exams. You can peruse them via the hamburger at the upper right, where they’re organized in several submenus. Here are the Questions on Marx from the Norton for example. For anyone who is really dorky and wants to shop for questions on texts I have taught in 306 but am not teaching this term, check out my GitHub repository of question docs, syllabi, and more.

Speaking of Marx, I’ve got a summary post with lots of links to Marx resources, in case anyone is teaching that stuff this term and hasn’t gotten there already.

I’ve also got a few informal slide decks I’ve dropped on students thus far, with more to come.

If you have materials you’d like to share in similar fashion (syllabi, sure, but also assessments, lesson plans, handouts, slide decks, group projects, in-class writing ideas, etc.), please get in touch!

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306 FAQs

Q: What is the purpose of this course?

A: English 306 is an introduction to theory. It should be a a survey of theory with a strong historical emphasis and deep engagement with philosophical “primary texts” but assume no prior study in the field and no shared vocabulary. Thus, it should not be limited to one topic or “school” of theory or time period. Rather, it should begin with introductory texts that facilitate discussion around what theory is (e.g., selections from Jonathan Culler’s Very Short Introduction to Literary Theory or perhaps foundational texts from antiquity (Nico Israel uses the Norton Anthology's selections from Plato and from the book of Genesis). Then it would provide a survey, firmly rooted in classic twentieth-century texts with some material from the nineteenth century (e.g., Marx on ideology, Henry James on the novel genre) and certainly some texts from the past twenty years at the end. See the FILES section of our group for examples; Jeff Allred's syllabus is open to Commons users, so check it out.

Q: What are the differences between English 306 and English 252 (Introduction to Literary Studies)?

A: English 252 emphasizes basic skills in decoding literary critical arguments and constructing your own. It grows out of the close reading-centric emphasis of ENGL 220 and prepares students for more advanced seminars at the 300 level by focusing on the basics of research and writing in a given field, period, and subject. ENGL 306 is much more metacritical in focus and much less focused on the pragmatic aspects of building a particular argument around a particular literary text.

Q: How do you handle the "coverage" issue?

A: By its nature, theoretical writing is dense and difficult for novice students, and the web of centuries' worth of theoretical writing is bound to frustrate any student or instructor who wants to "cover" it in any given span of time. Some instructors tame the chaos by breaking the course into small units around "schools" of theory (semiotics, Marxism, queer theory, etc.) and/or stack the schools in ways that convey a historical evolution. Others create genealogical sequences to emphasize how authors borrow from and write back to each other throughout the historical development of theoretical discourse. The best starting point is to read through a number of syllabi and/or reach out to peers to ask how and why they organize things as they do.

Q: How much writing do you assign, and what kind?

A: Frequent, low-stakes writing is a must. Many instructors assign short, informal responses (blog posts, Bb discussion board posts, or response papers) of 500-800 words, assigned roughly every other week. You might also try in-class writing, which sometimes diminishes the anxiety of oral participation for students. However you do it, it’s essential to have students devote time to engaging these formidable texts in writing.

Q: What's the best way to assess learning in this course?

A: Most instructors emphasize exams over formal essays or research papers. Given the amount of material students must assimilate and the dense interrelationships between texts that they must synthesize, a well-constructed exam with lots of writing helps them to produce mastery rather than just reflect it. See the examples from Jeff Allred and from Tanya Agathocleous in FILES. It's recommended to leave ample time for review prior to exams: some faculty ask students to bring X number of questions to class for a review session, or to draft sample questions. The review sessions are surprisingly productive, often, since students find that they finally "get" a given text only upon re-examining it in relation to other texts. For students who are especially motivated or precocious, consider allowing an opt-out of the final, substituting an original research project, reading some new theoretical texts or writing a modest research paper.

Q: Are there specific policies that must be incorporated into my syllabus?

A: Yes, please check the sample syllabi on the Academic commons group page. You must include the “Learning Outcomes” you deem appropriate for 306 along with the standard language for ADA Policy, Academic Integrity, and Policy on Sexual Misconduct. Here's an example. For the specific language for standard College-wide polices mentioned above, plus best practices for all syllabi at Hunter, check out the Hunter College Faculty Senate's excellent guide.

Q: What resources do I have access to as an instructor?

A: Please visit the 306 instructors’ group page on the CUNY Academic Commons, where you will find sample syllabi, course units, and so on. I encourage you to post your own helpful documents to this page, and contact me if you have problems joining or using the group. ACERT, Hunter’s center for teaching and learning, is a lively hub linking instructors, librarians, ed tech specialists, etc.: their site has a wealth of teaching resources, and they host scores of events on pedagogy each year.

Q: What are my options in terms of “learning management systems” (LMS)? Do I have to use BlackBoard or Brightspace?!

A: You are free to use whatever you’re comfortable with. By default, all courses get Bb shells (or Brightspace from AY 2024-5), which you are free to customize/use. But there are many alternatives, including free/open options based on the WordPress blogging platform. Instructors can now host course materials on CUNY Academic Commons sites like this one: there are hundreds of sites to browse there for inspiration. Get started here if you're interested.

[Thanks to Nico Israel and Mark Miller for their help in assembling these guidelines: contact me with ideas for edits or additions.]

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Welcome to Spring 2023

The English department is rebooting its “Director of Undergraduate Studies” position, which supports core courses in our major (so far, 252, 304, 306, and 307, with hopes to expand). I am the current Director, after a brief start-up period in 2019-20 and an austerity-driven hiatus during the pandemic period.
I’m reaching out here on Opening Day with the following:
1. Office hours: I’ll be in HW 1205 on Tu and Th this term from 2-3. Please stop by with any questions, ideas, or suggestions about your course. I’ll be reaching out to some of you for ideas on how to create some materials for new and novice instructors of these courses (here’s an attempt for 252, for example). Or just come by for some coffee and a chat.
2. Web resources: This blog will cover topics ranging from general lit pedagogy to topics more targeted to specific courses. I’d love to feature one of your assignments, assessments, or approaches that you think might benefit others (and I’m happy to do the writing and posting if you’ll share the general idea), so get in touch if I don’t find you first.
There are also “groups” specific to each course: these are basically listservs of past and present instructors of a given course, plus repositories of syllabi, assignments, and other useful materials from instructors, past and present. Navigate to your course’s group (here are 252, 304, 306, and 307), log into the CUNY Academic Commons if you have an account, and contact me if you don’t have an account or aren’t a member of a given group.
3. Reach out: I’m keenly interested in what you think is most needed to support instructors of these courses. Email me or stop by with any thoughts about possible workshops, Zooms, web-based materials, or other kinds of exchange I can foster among instructors. And stay tuned: if the funding holds out, we hope to add additional courses to the mix.
Have a great Opening Week and be in touch.
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